Happily Ever After

Modern romance, gift shop encounters, and an underwater music video shoot

When Lyssa was seven, her mother took her to see the movie where the mermaid wants legs. At the ending, she shook her head and squinted at the prince and said, “Why would she leave her family for that?” which for years contributed to the prevailing belief that Lyssa was sentimental or softhearted, when in fact she just knew a bad trade when she saw one. The whole ocean for one man. Not that she knew much about the ocean: Lyssa had been born in a landlocked state, and at 30, it seemed the closest approximation she might get was her job working the gift shop in the lobby of the Titanic. It was not a metaphor: It was an actual replica of the Titanic, with a mini-museum on the lower level, though it made most of its money off weddings and children’s birthday parties hosted on the upper decks.

A second-tier pop star had rented the whole structure for a music video shoot, which would shut down normal operations for three full days. Lyssa had been planning on the time off, but when the video’s director came to finalize the plans for the space, he stopped in front of the shop glass, stared for a minute, walked in, and said, “You — you’re perfect.”